Overseas event planning company tells you five mirror arts
2022-12-12

For a long time, mirrors also seem to have been in a contradictory state of reality and illusion, with unlimited possibilities to be created. Overseas event planning company will take you through 5 mirror art cases.

01 

Look at the room in the mirror

Doug Aitken

In February 2019, American artist Doug Aitken, at the invitation of the local art festival Elevation 1049, built this surreal hut on the mountain of the town of Gstaad and named it Mirage Gstaad.

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02 

Look in the mirror at the seaside

Eric T. White

In a recent group of photography works by Eric T. White, a photographer in New York, mirrors are the most distinctive expressive elements.

Naked models hide behind half height mirrors and pose in exaggerated positions in front of the beach. Some of the bodies reflected in the mirrors look deceptive on the one hand, and on the other hand, they melt the ocean, human body, beach and other surrounding landscapes.

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03

Look in the mirror in the desert

Shirin Abedinirad

Building a pool of blue water in the large desert in central Iran sounds like a fantasy, but the Iranian artist Shirin Abedinirad realized this idea in another way in his 2013 visual project "Evocation/Call".


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Several large round mirrors were flatly placed in the desert. The blue sky reflected in the mirrors looked like small lakes with rising water vapor.

04

Look in the mirror in the forest

Rob Mulholland

The human shaped mirrors scattered in the forest are the most impressive existence in Rob's works. The mirror reflects the surrounding environment in a real and distorted way. While emphasizing the symbiosis between man and nature, it seems to warn us to always question the changing world.

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05

Soft mirror

Lori Hersberger

In our inherent impression, mirrors are mostly hard, cold and stable. However, Lori Hersberger, a Swiss artist, made the mirrors in his works look soft by drawing air from the interior of the steel structure and painting materials on its surface.

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